Jason White – Ministry Musican: End Of The Shouting Music Broken Down

Posted by admin on October 20th, 2009 and filed under ministry music | 25 Comments »

Visit http://www.MinistryMusician.com for more…

This is just a small sneak peak from the 4-hour course GospelKeys Ministry Musician vol 1 where the legendary jason white breaks down hymns, shouting music, old school “swing,” church bebop, contemporary worship, casual “talk” music, and more. Don’t miss out on this one.

Visit http://www.MinistryMusician.com

“Your Playing Will Never Be The Same”

Discover how to use the melody of ANY song to create chord voicings you never thought possible! Sometimes, the craziest chords come from using trial and error to find a chord that has the melody note on top. You’ll learn Jason’s system for doing this.

Connect chords together with unorthodox “slide-ups,” “bends,” “walk ups,” “crossovers,” and other techniques that nobody does! (That’s why Jason commonly makes up his own names for the little nuances he utilizes in his playing that you can’t find taught in your traditional music class).

Abolish those same old chords forever! Learn Jason’s special voicings for major, minor, dominant, augmented, and various altered chords. You’ll be amazed at how simple these voicings are once you know what you’re doing!

What to do when you have a bass player as opposed to playing solo. You’ll learn left hand strategies and how to extend your chords to the right hand.

How to incorporate small rhythmical variations into your playing to add extra spice and flavor that will certainly turn heads.

Exponentially grow your options on the piano so you never have to play songs the same way, twice! In fact, it was so hard to get Jason to do the same exact “lick” twice because he just doesn’t think that way! You’ll learn how to have so many options open that you won’t remember what you JUST played!

Visit http://www.MinistryMusician.com

What it takes to truly be a Ministry Musician and how to avoid making some of the errors most church musicians make.

How to be admired by both “young” and “old” listeners by learning contemporary patterns with traditional hymns… without sacrificing the melody.

Borrow some of Jason’s signature moves in worship, praise, shouting music, old school shuffle, “church bebop,” hymns, and more! Never before has he sat down and given away his techniques and now you’ll have “over-the-shoulder” access to one of the greatest gospel musicians alive!

How to take traditional songs everyone knows and alter certain chords to produce your very own flavor and style. In fact, you’ll be taken by the hand and shown how to substitute chords in songs like “Oh How I Love Jesus,” “To God Be The Glory,” and others.

How to play some of the same exact licks you’ve heard Jason execute flawlessly on your favorite albums. I’m talking about records from artists like Richard Smallwood, Kurt Carr, Judith McAllister, West Angeles Church of God In Christ Choir, Daryl Coley, Mary Mary, and others!

The mindset of a “Ministry Musician” and how to avoid being a hindrance to your worship service by adhering to 5 simple rules.

The keys to accompanying a soloist. Your job as an accompanist is not to lead, it’s to support. Learn Jason’s improvement strategies when it comes to backing up singers, choirs, and groups!

Visit http://www.MinistryMusician.com

Duration : 0:12:50


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25 Responses

  1. southpole2189 Says:

    Hey Mr. Jason, do …
    Hey Mr. Jason, do you play at the Temple of Praise Church in Washington D.C

  2. JaeWall Says:

    lol. hilarious.
    lol. hilarious.

  3. hx11xh Says:

    yeah thats not …
    yeah thats not ending my service

  4. jyearg Says:

    I SO needed those …
    I SO needed those thanks…

  5. Gospelplaya1000 Says:

    listen to twinkie …
    listen to twinkie clark’s Hallelujah at the end on karen’s album It’s not Over

  6. ladystixxs Says:

    I love your style. …
    I love your style. You showed me something new. Keep them coming.

  7. brawllah Says:

    it is…i would …
    it is…i would have got dat instead of the s90 es…if i was able to afford it

  8. samsneeze08 Says:

    To be honest motif …
    To be honest motif is the best thing out right now…

  9. shadowundertakers Says:

    Lorrd 2nite lol
    Lorrd 2nite lol

  10. drawfire25 Says:

    Yeah now that the V …
    Yeah now that the V- Piano came out, there is no competition with who has the best feel or grand.

  11. mbeard51 Says:

    thanks
    thanks

  12. praisethelord20 Says:

    my God you are …
    my God you are funny.

  13. the7a3 Says:

    I’m not so sure I …
    I’m not so sure I agree with any of yall. For the best ” feel” hands down it goes to a Roland RD700 SX ( not the GX. It feels like crap). However, It could stand to use some better EP, strings.and piano patches. The feel of it is some of that PLAYA STANK though!

  14. brawllah Says:

    i have the Yamaha …
    i have the Yamaha S90 ES….if any of you know what sound he is using and if i can get it on the S 90 ES…can u plzz tell me in a reply so i can get it.

  15. drawfire25 Says:

    Aight man, your …
    Aight man, your choice. i know a lot of guys from church that prefer the motif xs but when it comes to world class sounds and performance: Roland Fantom G8, just listen to the grand it feels like a steinway.

  16. robbiemack81 Says:

    Naw…the Fantom G …
    Naw…the Fantom G looks to complicated. The Motif XS is pretty straightfoward for me. And I’ve always liked the older roland boards (xp80, jv 2080, etc) over the new boards cuz they just sound better to me…it’s just somethin about them old boards

  17. dwdrumslove Says:

    Cover your mouth …
    Cover your mouth with your hand
    2. Make a wish
    3. Close your hand(fist)
    4. Hold your hand at heart for 5 seconds
    5. Send this to 3 more videos
    6. Tomorrow will be the best day ever
    it actually worked
    Money- you will find a wad of $200 in cash
    Love- Your crush or lover will kiss you or ask you

  18. drawfire25 Says:

    The Fantom G8 was …
    The Fantom G8 was been ranked as the best workstation for best feel; weighted keys( Ivory Feel), best world class sounds, best included software, best grand, and some other features that are incomparable. The pros when asked for a choice, they chose the Fantom G8. trust me, you get what you pay for.

  19. sfelton1 Says:

    I still beg to …
    I still beg to differ. I would perfer the Roland FP7 over a Fanton for the piano sounds. And for the feel too.

  20. drawfire25 Says:

    Who cares! the new …
    Who cares! the new Roland Fantom G kills them all!!!

  21. pkcogic84 Says:

    Read the post below …
    Read the post below. This particular board is a Yamaha S90; I believe Jason has a MKS-20 along with a JV-880.

  22. sfelton1 Says:

    Please allow me to …
    Please allow me to beg to differ. Coming from a person has played both the Motif ES and the S90 for extended periods of time, I must say the piano sounds are better than that of the Motif ES. There are even synths that the S90 has the Motif doesn’t that are very good. I haven’t gotten into making tracks but so far I would pay for a S90 rather than get a Motif ES for free (yeah that’s a lie lol) but really the S90 is my preference

  23. pkcogic84 Says:

    The S90 (although a …
    The S90 (although a good piano) pales in comparison to the Motif ES or XS!! Mainly you will see them on a Motif layering sounds, along with the modules.

  24. AWDMkeys Says:

    Terrific. i love …
    Terrific. i love this
    to get this sound on the fantom x mix the punch piano and the J-Pop brass.. this emulates this sound almost exact

  25. misterriddlez Says:

    MKS 20 patch 8… …
    MKS 20 patch 8…korg triton rack-anabrass/lead in the fast synths category.

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